by admin | Sep 17, 2017 | Aurora Cano, DramaFest, Lecturas dramatizadas
Dramatic Readings 2006 Seven Seconds // In God we trust By: Falk Richter (Germany)Directed by: Juliana Faesler (Mexico)Cast: Bruno Castillo, Juan Carlos Cuellar, Pablo Enciso, Irasema Terrazas, Roldan Ramírez, Lidia Rendón, Unab Ku Mata. Company La Máquina de Teatro....
by admin | Sep 17, 2017 | DramaFest 2006, DramaFest 2006, DramaFest 2006, DramaFest 2006, Nicolas Alvarado, Nicolas Alvarado, Nicolas Alvarado, Nicolas Alvarado, Nicolas Alvarado, Sin categorizar, Sin categorizar, Sin categorizar, Sin categorizar, Sin categorizar, Sin categorizar
By: Alexander PfeufferDirected by: Heiko Kalmbach Cast:Iris: Andrea SchmidNatalie K : T. Saskia Taeger World Premiere: Theaterhaus Jena, May 11, 2006Produced by: Theaterhaus Jena Direction and Video: Heiko KalmbachChoreography / Stage Movement: Antonio CerezoSet and...
by admin | Sep 17, 2017 | DramaFest 2004, DramaFest 2006, Nicolas Alvarado
Croll From: Ernesto Anaya.Directed by: José Antonio Cordero. Featuring:Violinist – Diego Jáuregui.Swimmer – Enrique Arreola.Soprano – Mónica Dionne.Female swimmer – Aurora Cano. Direction, Space Design, and Multimedia: José Antonio...
by admin | Sep 16, 2017 | Uncategorized
The Double Bed for “The New Family” By: Luis Ayhllón.Direction: Christina Paulhofer Carabella. Cast:Nora – Cristina MichausNeto – José Carlos RodríguezMake – Juan Carlos VivesLuis – Juan Carlos Olivas Voice-over Cast:Loudspeaker: Suzana...
by admin | Sep 16, 2017 | DramaFest 2004, DramaFest 2004
From: Luis Enrique Gutiérrez Ortiz Monasterio.Director: John Tiffany “bicos guerls yost wana jav fon…?”. CastGirl 1: Gabriela Murray.Girl 2: Aída López. CreativesDirection: John Tiffany.Executive Production: Sebastián Sánchez Amunátegui.Set Design and...
by admin | Sep 11, 2017 | Aurora Cano, Aurora Cano, Aurora Cano, Aurora Cano, DramaFest, DramaFest, DramaFest, DramaFest
This is the second edition of DramaFest, and since they say sequels are never good, we decided to challenge that almost cosmic imperative by inviting a country whose theater is among the most solid from any possible perspective: Germany. But what could emerge from the...
